Sends the player characters into deeper waters to face Jose Juan, one of Spongephanes' closest allies — a pivotal turn in the V1 storyline as the cast widens beyond the mod's first antagonist.
Catch and Fish is the fifth song in the Bikini Horrors V1 tracklist, composed by ShashiCandy. At 3:36 it's one of the shorter confirmed V1 tracks, and it uses that tighter runtime to stage a straightforward but significant story beat: the player characters push into deeper waters and meet Jose Juan, a character who doesn't share Spongephanes' showmanship but is just as tied to the mod's central conflict.
The title plays on the double meaning of "catching" fish — the hunt, and the trap. The encounter framing does the same: Jose Juan waits in his own territory, and the journey into deeper waters is what turns the players from challengers into the ones being caught. It's the closest the early tracklist gets to an ambush structure, and it shifts the power dynamic compared with the open challenges of the songs before it.
In the V1 arc, Catch and Fish expands what Spongephanes' side looks like. Guater Game establishes Spongephanes as a self-styled underwater god; Sunderwater proves new corrupted figures can appear without warning; Catch and Fish shows that at least some of them are organized around him. Jose Juan is documented as one of Spongephanes' closest allies, and the encounter is set in deeper waters — a notable change of scenery from the earlier horror-house confrontations.
The song is also part of how V1 keeps raising the stakes without repeating itself. Sunderwater introduced a character mid-track; here the song instead leans on place, pushing the confrontation outside the familiar territory the player has learned. It's a small shift, but it tells the story that each new song can change both who you fight and where.
Catch and Fish is a mid-tempo track, which places it differently from its neighbors. It doesn't lean on tempo escalation the way Sunderwater does, nor on ballad pacing like the V1 closer Bubbletwister. The mid-tempo feel suits the "luring you in" framing of the encounter — a rhythm that keeps moving without letting the player settle, matching a fight that's more about patience than pure speed.
One of Spongephanes' closest allies and the opponent in this track. Jose Juan is met in deeper waters while exploring, and the encounter positions him as a direct extension of Spongephanes' reach rather than an independent threat.
The mod's central antagonist. Though he doesn't appear as the opponent here, the story context matters — Jose Juan's allegiance ties this encounter back to the challenge that opened V1 in Guater Game.
Catch and Fish sits in the middle of the V1 difficulty spread: more demanding than the opening tracks but shorter and more contained than the multi-part finales. Because it's a mid-tempo song by a solo composer, it's also one of the more consistent rhythm tests in the early tracklist — fewer dramatic swings, more sustained accuracy.
The official preview of Catch and Fish is available on YouTube, uploaded by the creators themselves. This is the same version that plays in the mod, and it is the best way to experience the track outside of gameplay.
Watch on YouTube ↗
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